Proceedings of SMC Conference 2011, Padova

Complete list of all the publications of the sound & music computing conference 2011



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Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
Applications of Synchronization in Sound Synthesis Neukom, M.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
Audio Physical Computing Valle, A.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
Robotic piano player making pianos talk Ritsch, W.
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
On the Creative use of Score Following and its Impact on Research Cont, A.
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
SONIK SPRING Henriques, T.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
Limits of Control Rutz, H. H.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
A Bayesian Approach to Drum Tracking Robertson, A.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
The plurality of melodic similarity Marsden, A.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.