Proceedings of SMC Conference 2011, Padova

Complete list of all the publications of the sound & music computing conference 2011



Titlesort icon Authors
A Bayesian Approach to Drum Tracking Robertson, A.
A COMPARISON OF PERCEPTUAL RATINGS AND COMPUTED AUDIO FEATURES Friberg, A., & Hedblad A.
A Learning Interface for Novice Guitar Players using Vibrotactile Stimulation Giordano, M., & Wanderley M.
A Rule-Based Generative Music System Controlled by Desired Valence and Arousal Wallis, I., Ingalls T., Campana E., & Goodman J.
A Survey of Raaga Recognition Techniques and Improvements to the State-of-the-Art Gopala-Krishna, K., Gulati S., & Rao P.
A toolbox for storing and streaming music-related data Nymoen, K., & Jensenius A. R.
Active preservation of electrophone musical instruments. The case of the "Liettizzatore" of "Studio di Fonologia Musicale" (RAI, Milano) Canazza, S., Rodà A., Novati M., & Avanzini F.
An Adaptive Classification Algorithm For Semiotic Musical Gestures Gillian, N., Knapp B. R., & O'Modhrain S.
An analog I/O interface board for Audio Arduino open sound card system Dimitrov, S., & Serafin S.
AN EXPLORATION ON THE INFLUENCE OF VIBROTACTILE CUES DURING DIGITAL PIANO PLAYING Fontana, F., Papetti S., Bello V. D., Civolani M., & Bank B.
AN INTERACTIVE MUSIC COMPOSITION SYSTEM BASED ON AUTONOMOUS MAINTENANCE OF MUSICAL CONSISTENCY Kitahara, T., Fukayama S., Sagayama S., Katayose H., & Nagata N.
An Interactive Surface Realisation of Henri Pousseur's `Scambi' Fencott, R., & Dack J.
Analysis of Social Interaction in Music Performance with Score-Independent Audio Features Volpe, G., Varni G., Mazzarino B., Pisano S., & Camurri A.
Applications of Synchronization in Sound Synthesis Neukom, M.
Audio Physical Computing Valle, A.
Auditory feedback in a multimodal balancing task: walking on a virtual rope Serafin, S., Turchet L., & Nordahl R.
Automatic Creation of Mood Playlists in the Thayer Plane: a Methodology and a Comparative Study Panda, R., & Paiva R. P.
Automatic Multitrack Mixing Using Linear Dynamical Systems Scott, J., Prockup M., Schmidt E., & Kim Y.
Automatically detecting key modulations in J.S. Bach chorale recordings Mearns, L., Benetos E., & Dixon S.
BeatLED - The Social Gaming Partyshirt Nies, T. D., Vervust T., Demey M., Walle R. V. D., Vanfleteren J., & Leman M.
C. Elegans Meets Data Sonification: Can We Hear its Elegant Movement? Terasawa, H., Takahashi Y., Hirota K., Hamano T., Yamada T., Fukamizu A., et al.
Comparing Inertial and Optical MoCap Technologies for Synthesis Control Skogstad, S. A., Nymoen K., & Høvin M.
DANCEREPRODUCER: AN AUTOMATIC MASHUP MUSIC VIDEO GENERATION SYSTEM BY REUSING DANCE VIDEO CLIPS ON THE WEB Nakano, T., Murofushi S., Goto M., & Morishima S.
Demetrio Stratos rethinks voice techniques: a historical investigation at ISTC in Padova Ceolin, E., Tisato G., & Zattra L.
Design and Applications of a Multi-Touch Musical Keyboard Mcpherson, A., & Kim Y.
Designing an Expressive Virtual Percussive Instrument Dolhansky, B., Mcpherson A., & Kim Y.
Distance Mapping for Corpus-Based Concatenative Synthesis Schwarz, D.
DYNAMIC INTERMEDIATE MODELS FOR AUDIOGRAPHIC SYNTHESIS Goudard, V., Genevois H., Doval B., & Ghomi É.
Emotional response to major mode musical pieces: score-dependent perceptual and acoustic analysis Canazza, S., Roda' A., & Poli G. D.
Ensemble: Implementing a Musical Multiagent System Framework Thomaz, L., & Queiroz M.
Evaluating of sensor technologies for The Rulers, a kalimba-like Digital Musical Instrument Medeiros, C. B., & Wanderley M. M.
Explaining musical expression as a mixture of basis functions Grachten, M., & Widmer G.
Exploring the design space: prototyping "The Throat v3" for the Elephant Man opera Elblaus, L., Hansen K. F., & Unander-Scharin C.
Extraction of sound localization cue utilizing pitch cue for modelling auditory system Okuno, T., Mcginnity T. M., & Maguire L. P.
Foley Sounds vs Real Sounds Trento, S., & de Gotzen A.
from snow [to space to movement] to sound Kontogeorgakopoulos, A., Kotsifa O., & Erichsen M.
Functional Signal Processing with Pure and Faust using the LLVM Toolkit Gräf, A.
Generating Musical Accompaniment through Functional Scaffolding Hoover, A. K., Szerlip P. A., & Stanley K. O.
GESTURAL CONTROL OF THE SPEECH SYNTHESIS IN LUNA PARK Beller, G.
HUMANITIES, ART AND SCIENCE IN THE CONTEXT OF INTERACTIVE SONIC SYSTEMS – SOME CONSIDERATIONS ON A CUMBERSOME RELATIONSHIP Polotti, P.
Improved Sinusoidal Parameter Estimation through Iterative Linear Programming Schemes Shiv, V. L.
IMPROVING PERFORMERS’ MUSICALITY THROUGH LIVE INTERACTION WITH HAPTIC FEEDBACK: A CASE STUDY Michailidis, T., & Bullock J.
Improving tempo-sensitive and tempo-robust descriptors for rhythmic similarity Holzapfel, A., Flexer A., & Widmer G.
Improving the Efficiency of Open Sound Control with Compressed Address Strings Kleimola, J., & Mcglynn P. J.
Investigation of the relationships between audio features and induced emotions in Contemporary Western music Trochidis, K., Delbé C., & Bigand E.
Isomorphic Tessellations for Musical Keyboards Maupin, S., Gerhard D., & Park B.
Leech: BitTorrent and Music Piracy Sonification Mckinney, C., & Renaud A.
Limits of Control Rutz, H. H.
Ljudskrapan/The Soundscraper: Sound exploration for children with complex needs, accommodating hearing aids and cochlear implants Hansen, K. F., Dravins C., & Bresin R.
MARCO STROPPA’S COMPOSITIONAL PROCESS AND SCIENTIFIC KNOWLEDGE BETWEEN 1980-1991 Tiffon, V., & Sprenger-Ohana N.
Melody Harmonization in Evolutionary Music using Multiobjective Genetic Algorithms Freitas, A., & Guimarães F.
Multiple-Instrument Polyphonic Music Transcription using a Convolutive Probabilistic Model Benetos, E., & Dixon S.
On Computing Morphological Similarity of Audio Signals Gasser, M., Flexer A., & Grill T.
On the Creative use of Score Following and its Impact on Research Cont, A.
Parametric Trombone Synthesis by Coupling Dynamic Lip Valve and Instrument Models Smyth, T., & Scott F.
PERSONALITY AND COMPUTER MUSIC Garrido, S., Schubert E., Kreutz G., & Halpern A.
PHYSICAL MODELING MEETS MACHINE LEARNING: TEACHING BOW CONTROL TO A VIRTUAL VIOLINIST Percival, G., Bailey N., & Tzanetakis G.
Prioritized Contig Combining to Segregate Voices in Polyphonic Music Ishigaki, A., Matsubara M., & Saito H.
RaPScoM - A Framework for Rapid Prototyping of Semantically Enhanced Score Music Rubisch, J., Doppler J., & Raffaseder H.
REAL-TIME UNSUPERVISED MUSIC STRUCTURAL SEGMENTATION USING DYNAMIC DESCRIPTORS Pires, A. S., & Queiroz M.
Rencon Workshop 2011 (SMC-Rencon): Performance Rendering Contest for Computer Systems Hashida, M., Hirata K., & Katayose H.
Robotic piano player making pianos talk Ritsch, W.
Sonic Gestures as Input in Human-Computer Interaction: Towards a Systematic Approach Jylhä, A.
SONIK SPRING Henriques, T.
SOUND SPATIALIZATION CONTROL BY MEANS OF ACOUSTIC SOURCE LOCALIZATION SYSTEM Salvati, D., Canazza S., & Roda' A.
SOUND SPHERES: A DESIGN STUDY OF THE ARTICULACY OF A NON-CONTACT FINGER TRACKING VIRTUAL MUSICAL INSTRUMENT Hughes, C., Wermelinger M., & Holland S.
SoundScape: A music composition environment designed to facilitate collaborative creativity in the classroom Truman, S.
Spatio-temporal unfolding of sound sequences Rocchesso, D., & Monache S. D.
Support for Learning Synthesiser Programming Dykiert, M., & Gold N.
The Closure-based Cueing Model: Cognitively-Inspired Learning and Generation of Musical Sequences Maxwell, J., Pasquier P., & Eigenfeldt A.
The EyeHarp: An Eye-Tracking-Based Musical Instrument Vamvakousis, Z., & Ramirez R.
The plurality of melodic similarity Marsden, A.
The VowelWorm: Real-time Mapping and Visualisation of Sung Vowels in Music Frostel, H., Arzt A., & Widmer G.
Towards a Generative Electronica: Human-Informed Machine Transcription and Analysis in MaxMSP Eigenfeldt, A., & Pasquier P.
TOWARDS A PERSONALIZED TECHNICAL EAR TRAINING PROGRAM: AN INVESTIGATION OF THE EFFECT OF ADAPTIVE FEEDBACK Kaniwa, T., Kim S., Terasawa H., Ikeda M., Yamada T., & Makino S.
Using Physical Models is Necessary to Guarantee Stable Analog Haptic Feedback Control for New Media Edgar Berdahl, Florens J. - L., & Cadoz C.
Version Detection for Historical Music Boxes Niedermayer, B., Widmer G., & Reuter C.
When sound teaches Zanolla, S., Canazza S., Rodà A., Romano F., Scattolin F., & Foresti G. L.
Where do you want your ears? Comparing performance quality as a function of listening position in a virtual jazz band Olmos, A., Rushka P., Ko D., Foote G., Woszczyk W., & Cooperstock J. R.