Biblio

Found 961 results

2013
Hedges, T. W., & McPherson A. P. (2013).  3D GESTURAL INTERACTION WITH HARMONIC PITCH SPACE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 103–108.
Schoeffler, M. (2013).  About the Impact of Audio Quality on Overall Listening Experience. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 48–53.
Tuominen, H. T. (2013).  ACOUSTIC RETROREFLECTORS FOR MUSIC PERFORMANCE MONITORING. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 443–447.
Nakamura, T., Nakamura E., & Sagayama S. (2013).  ACOUSTIC SCORE FOLLOWING TO MUSICAL PERFORMANCE WITH ERRORS AND ARBITRARY REPEATS AND SKIPS. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 299–304.
Gaffney, B. B., & Smyth T. (2013).  Acoustics-like dynamics in signal-based synthesis through parameter mapping. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 481–486.
Larsen, J. V., Overholt D., & Moeslund T. B. (2013).  THE ACTUATED GUITAR: A PLATFORM ENABLING ALTERNATIVE INTERACTION METHODS. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 235–238.
Ilsar, A., Havryliv M., & Johnston A. (2013).  THE AIRSTICKS: A NEW INTERFACE FOR ELECTRONIC PERCUSSIONISTS. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 220–226.
Artut, S. (2013).  AMAROK PIKAP: INTERACTIVE PERCUSSION PLAYING AUTOMOBILE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 160–163.
Kirke, A., Miranda E., & Nasuto S. J. (2013).  Artificial Affective Listening towards a Machine Learning Tool for Sound-Based Emotion Therapy and Control. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 259–266.
Kereliuk, C., Depalle P., & Pasquier P. (2013).  AUDIO INTERPOLATION AND MORPHING VIA STRUCTURED-SPARSE LINEAR REGRESSION. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 546–552.
Parras-Moral, J., Cañadas-Quesada F. J., Vera-Candeas P., & Ruiz-Reyes N. (2013).  Audio restoration of solo guitar excerpts using a excitation-filter instrument model. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 654–659.
Järveläinen, H., Papetti S., Schiesser S., & Grosshauser T. (2013).  AUDIO-TACTILE FEEDBACK IN MUSICAL GESTURE PRIMITIVES: FINGER PRESSING. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 109–114.
Luizard, P., Polack J. - D., & Katz B. F. G. (2013).  AURALIZATION OF COUPLED SPACES BASED ON A DIFFUSION EQUATION MODEL. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 616–621.
Macret, M., & Pasquier P. (2013).  Automatic Tuning of the OP-1 Synthesizer Using a Multi-objective Genetic Algorithm. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 600–607.
Miron, M., Gouyon F., Davies M. E. P., & Holzapfel A. (2013).  BEAT-STATION: A REAL-TIME RHYTHM ANNOTATION SOFTWARE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 729–734.
Arango, J. J., Tomiyoshi M., Iazzetta F., & Queiroz M. (2013).  Brazilian challenges on network music. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 453–460.
Grosshauser, T., Feese S., & Tröster G. (2013).  Capacitive Left Hand Finger and Bow Sensors for Synchronization and Rhythmical Regularity Analysis in String Ensembles. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 438–442.
Addessi, A. R. (2013).  CHILD / MACHINE INTERACTION IN REFLEXIVE ENVIRONMENT. THE MIROR PLATFORM. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 95–102.
Hartmann, M., Saari P., Toiviainen P., & Lartillot O. (2013).  Comparing Timbre-based Features for Musical Genre Classification. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013.
Parkinson, A., & Tanaka A. (2013).  Composing for cars. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 136–141.
Parkinson, A., & Tahiroğlu K. (2013).  Composing Social Interactions for an Interactive-Spatial Performance System. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 347–352.
Alexakis, A. (2013).  A COMPUTATIONAL METHOD FOR EXPLORING MUSICAL CREATIVITY DEVELOPMENT. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 227–234.
Rosa-Pujazón, A., Barbancho I., Tardón L. J., & Barbancho A. M. (2013).  CONDUCTING A VIRTUAL ENSEMBLE WITH A KINECT DEVICE. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 284–291.
Guedes, C., Blanton J., Brown R., Carter R., & Min- C. (2013).  A CONTOUR-BASED JAZZ WALKING BASS GENERATOR. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 305–308.
Pošćić, A., & Kreković G. (2013).  CONTROLLING A SOUND SYNTHESIZER USING TIMBRAL ATTRIBUTES. (Roberto Bresin, Ed.).Proceedings of the Sound and Music Computing Conference 2013, SMC 2013. 467–472.